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France starts reality show with real knights

France’s new reality TV sensation features genuine medieval knights competing in deadly tournaments, but government officials won’t explain how these 12th-century warriors came back from the dead to entertain modern audiences.

France starts reality show with real knights

Tournaments broadcast live on TV

PARIS, FRANCE – In a shocking turn of events that has medieval historians scratching their heads and conspiracy theorists working overtime, the French government has launched the world’s most bizarre reality television program, featuring actual knights from the Middle Ages competing in deadly tournaments broadcast live to millions of viewers.

The program, cryptically titled “Les Chevaliers Éternels” (The Eternal Knights), premiered last Tuesday on France’s state-controlled television network, showcasing what appears to be genuine 12th-century warriors engaging in brutal combat with authentic medieval weapons. Sources within the French Ministry of Culture refuse to explain how these armored contestants, who speak only in archaic Old French dialects, came to participate in the program.

“I was working the night shift at the television studio when they brought them in,” whispered Guillaume Moreau, a camera technician who requested anonymity for fear of government retaliation. “These weren’t actors in costumes – their armor bore real battle scars, their swords were stained with what looked like centuries-old blood, and when one of them removed his helmet, I swear I could smell the musty odor of the grave.”

The knights, numbering twelve in total, compete in various medieval challenges including jousting, sword combat, siege warfare simulations, and tests of chivalric honor. What has viewers and critics most disturbed is the apparent authenticity of their injuries – broken bones heal within hours, severed limbs reattach themselves, and even fatal wounds seem to reverse overnight, allowing the same knights to compete again the following evening.

Dr. Marguerite Dubois, a medieval historian at the Sorbonne who has been monitoring the broadcasts, believes something far more sinister is at play. “The heraldic symbols on their shields correspond to noble families that died out during the Crusades,” she explained in a hushed telephone interview. “I’ve identified the coat of arms of Sir Geoffrey de Montfort, who perished at the siege of Acre in 1191, and Baron Henri de Lusignan, who was reportedly killed in single combat during the Third Crusade. These men should be dust and bones, not competing for prize money on national television.”

French government officials have remained mysteriously tight-lipped about the program’s origins, with the Ministry of Culture issuing only a brief statement claiming the show represents “France’s commitment to preserving its medieval heritage through innovative entertainment programming.” However, leaked documents obtained by investigative journalists suggest the project may be connected to recent archaeological excavations beneath Notre-Dame Cathedral, where construction crews allegedly discovered a sealed chamber containing twelve ornate sarcophagi.

The timing of these discoveries with the knights’ television debut has raised alarming questions about the French government’s potential involvement in supernatural experimentation. Reports from local residents near the excavation site describe strange lights emanating from beneath the cathedral at night, accompanied by the sound of clanking armor and horses’ hooves on cobblestones.

Ratings for “Les Chevaliers Éternels” have shattered all previous records, with over 40 million viewers tuning in across Europe. The Vatican has issued a strongly-worded condemnation of the program, with Pope Francis himself calling it “an abomination against the natural order,” while simultaneously refusing to elaborate on what Church officials might know about the knights’ true origins.

International intelligence agencies have reportedly begun investigating the French program, with rumors circulating that similar archaeological projects are being secretly funded by governments across Europe. Some conspiracy researchers theorize that the Knights Templar, rather than being destroyed in 1307, merely went underground and have now returned to reclaim their influence through mass media manipulation.

As the tournament continues nightly, drawing ever-larger audiences hungry for blood and spectacle, one question haunts viewers: if the French government can resurrect medieval knights for entertainment, what other secrets lie buried beneath Europe’s ancient cathedrals and castles?

The characters and events depicted in this story are entirely fictitious. Any similarity to real persons, living or dead, or to actual events is unintentional and purely coincidental.

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